Ere Ibeji from Anago-Ketu

The Anago style, a regional sub-tradition from southwestern Nigeria and southeastern Dahomey (present-day Benin), brings important specifics in the treatment of ibeji statuettes. Anago refers to a linguistic and cultural sub-group of the Yoruba, and their ibeji are distinguished by certain unique stylistic traits:

Finely carved face: Anago ibeji statuettes are often characterized by a finer and elongated face compared to those from other Yoruba regions, featuring delicate traits.

Elongated proportions: A recurring characteristic of the Anago style is the emphasis on the elongation of the torso and limbs. This gives the statuette a slender appearance, reinforcing a sense of nobility.

Simplicity of details: Unlike the ibeji from the Oyo style (a major cultural center of the Yoruba), where details may be more elaborate, Anago statuettes are more understated but showcase great precision in the rendering of features. The woods used are often light and common to the Hohovi statuettes of the Fon and Togbovi of the Adja, which are also used in the cult of twins in Dahomey (present-day Republic of Benin).

Distinctive hairstyles: The figures are adorned with complex hairstyles that vary by clan, often depicting braids or geometric patterns, symbolizing social status or religious affiliations.

Shiny and colorful patina: Anago ibeji sculptures are typically covered with a lustrous patina, resulting from a mixture of palm oil, pigments, and frequent handling, enhancing the sacred and maintained character of these objects. The beads and bracelets added to the statuette also testify to its ritual significance.

In summary, the Anago-style ibeji statuettes are part of a highly refined Yoruba sculptural art, combining aesthetic simplicity with profound religious symbolism. They embody an essential spiritual continuity for the Anago community while reflecting a regional identity within the Yoruba world, where the preservation of cosmic balance through the worship of twins remains a crucial aspect of the culture.