Ọlọ́wẹ̀ of Ìsẹ̀

Olowe of Ise is widely recognized by Western art historians and collectors as one of the most influential artists of the 20th century among the Yoruba people, now located in present-day Nigeria. A genius wood sculptor, Olowe was also a master of innovation in the African aesthetic style known as oju-ona, characterized by ornamental richness and great formal complexity.

Born as Olowere in Efon-Alaiye, a city renowned for its role as a major cultural center within the Yoruba region, Olowe spent most of his life in Ise. He was first employed as a messenger at the court of King Arinjale, the Oba of Ise. The exact origin of his artistic career is still a subject of debate among specialists: some suggest he was trained as an apprentice, while others believe his talent emerged autodidactically. What is undeniable is that his fame began in Ise, under the patronage of Arinjale, before spreading throughout eastern Yorubaland.

Olowe was sought after in cities such as Ilesa, Ikere, Akure, Idanre, Ogbagi, and many others located within a 60-mile (approximately 97 kilometers) radius, to create prestigious objects – doors, veranda pillars, personal and ritual items – for wealthy families in the region. His work, both innovative and deeply rooted in Yoruba aesthetic traditions, continues to influence contemporary African art.

His reputation as an artist was celebrated during his lifetime through Yoruba oral praise poetry, known as oriki. For example, a song composed by one of his wives was recorded in 1988, attesting to the extent of his influence and his exceptional status within Yoruba society.